iOS Musician Apps (1081)

SpringSound is a physical-modeling audio synthesizer that produces sounds by simulating interactions and vibrations of a set of activators and masses connected to springs.

Wotja X is a new cross-platform interface for the 'Wotja Generative Music System'.

Neon is a lightweight digital audio editor and recording plugin compatible with any AUv3 host.

With sEGments slicer/sampler app you can Import any loop/sample/audio file and find the best samples inside it, using the automatic transient detection or manually adding markers.

Helium is a lightweight AUv3 MIDI sequencer plugin designed specifically for AUM. It supports up to 16 tracks of unlimited length with the ability to direct output to 16 channels on up to 16 MIDI output ports.

BLEASS Compressor is a tool for iOS musicians offering external sidechain input, input filters and real-time visualization with very low CPU usage.

The OPL is a digital sound synthesis chip developed by Yamaha in the mid 1980s. Among other products, it was used in sound cards for PC, including the Ad Lib card and early Sound Blaster series.

BLEASS Motion EQ is a 3-band equalizer with multi-outs and 2 LFOs.

This versatile saturation effect processor comes packed with 40 Factory Presets, from classic stereo Drive to crazy metallic bitcrushed Saturations.

DM1 is an advanced vintage Drum Machine.

Playset is an intuitive drum and synth sequencer, designed for instant fun and live music.

DM1 is an advanced vintage Drum Machine.

Set List Maker is an organizational tool for musicians. The app is packed with features to manage your repertoire, control your on-stage electronics and share with your bandmates.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input (like someone playing on a keyboard).