iOS Musician Apps (1047)

Group the Loop brings audio looping to the iPad. Record, loop, overdub, add effects and much more.

Import audio and instantly get a mastered version. Immediately hear a boost in volume and overall sweetening of the mix.

mood is a personal interpretation of the legendary Analog Synthesizer by Eugenio Giordani

apeDelay - spectral Delay implements up to 2048 delay lines with feedback or up to 2048 Brick-wall filters.

Import audio and instantly get a mastered version. Immediately hear a boost in volume and overall sweetening of the mix.

Electric Vintage is a virtual instrument based on a reproduction of a famous vintage electric piano (1976).

StageLight is a professional lighting control app for the iPad based on Art-Net (DMX512 over IP).

The Amazing Noises Reverb is a Feedback Delay Network (FDN) Reverb Effect, which can create nice reverberated ambiences, from small rooms to huge buildings.

The Dub Filter is a dual low-pass/high-pass 24/48 dB filter, with resonance and the exclusive Overlap parameter.

GliderVerb is a “Reverberator with Glissandos” simulating a room gradually changing its shape.

iRig Recorder is an audio and video recording app for iPhone or iPad.

A brickwall peak limiting app, for the complete control of your audio volume.

Moebius Lab is a multimorphic sound processor which contains a synth, a varispeed stereo sample player, effects and LFOs that can modulate each parameter.

Dedalus Delay is a real time audio mangler. A network of delay lines is continually granulated and modulated, producing a labyrinth of echoes, which are further processed by filters, dynamic processors and saturation modules.

A tunable iOS implementation of Balinese Gender Wayang.

iOS implementation of tunable Balinese Gamelan Gender Wayang.

ToneStack PRO is a guitar effects processor.

Get audio visuals with your AUv3 host or the standalone app. Scope uses a two-axis graph to give a visual representation of a waveform over time, with the horizontal axis representing time and the vertical axis representing the amplitude.

A port of Dexed, an FM Synthesizer.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input (like someone playing on a keyboard).