iOS Musician Apps (557) Supported Technologies is Audio Unit (AU)

VS provides a creative way to generate beautiful graphical representations of your music projects. Driven by both audio and MIDI data, VS is the visual equivalent of a traditional synthesizer.

FabFilter Timeless 3 is a versatile, vintage-sounding tape delay, which will fully satisfy your everyday delay needs.

The VTines instrument is based on real samples of a 1978 Fender Rhodes© Mark1 fully restored with clean pickups and tines, new grommets, new hammer tips, etc, so it is the best an electric piano can sound.

FabFilter Saturn 2 is a high-quality distortion/saturation plug-in with a huge range of distortion models ranging from subtle to screaming vintage amp modelling, multiple frequency bands, hugely flexible modulation system, and a very modern, well-designed user interface.

rambo is an innovative modular groovebox and audio processing environment.

Neo-Soul Keys® Studio 2 is the next evolution in electric piano sounds and effects from Gospel Musicians, which features a complete architecture overhaul using our new Pure Synth® structure and licensed VKFX effects.

MagicDeathEye is an emulation of a high-end tube compressor, available in AUv3 and interapp audio format.

iMPC Pro fuses innovative song creation with the iconic MPC workflow.

GeoShred is an expressive musical instrument with a multi-touch performance surface, coupled with an advanced physical model of a guitar.

Auria is a mobile music production system designed from the ground up for the iPad.

LayR is a polyphonic, multi-timbral synthesizer for iPad and iPhone, delivering up to 256 voices of rich, multi-layered and textured sounds.

STARK is a fully fledged amplifier simulator consisting of four modules: Amplifier, Cabinet, Room and effects slots. These modules are processing audio separately, which makes it possible to combine different amplifiers with different cabinets and rooms.

n-Track Studio 8 turns your iPhone, iPad or iPod touch into a complete recording studio.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input.

Transit hosts 18 effect-modules, freely loadable across 7 slots.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input (like someone playing on a keyboard).

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input (like someone playing on a keyboard).