iOS Musician Apps (560) Supported Technologies is Audio Unit (AU)

Laplace is a physical-modeling synthesizer based on resonator synthesis that makes it easy to create bowed string, plucked string, blown pipe and metallic sounds.

Kronecker is a synthesizer with a mechanism to make sounds many times like a rhythm machine each time you press a keyboard.

Lorentz is not only a live-oriented analog modeling synthesizer, but also has a resonator that makes metallic and aggressive sounds.

Mersenne is a melodic percussion synthesizer that combines two FM synthesis modules, a noise generator and a resonator.

Redshrike is a polyphonic synthesizer that combines a resonator designed to make more complicated sound creation and subtraction synthesis with an FM oscillator that creates violent distortion.

Lagrange synthesizer has two oscillators, a noise generator and two filters that can be selected from various algorithmic models.

Kajita combines two-stage multi-tap stereo delay with reverb, allowing you to create complex spatial effects.

SWAM Solo Brass is a brass sampler.

SWAM Flugelhorn is a Flugelhorn sampler.

SWAM Bass Trombone is a bass trombone sampler.

SWAM Double Bass Trombone is a bass trombone sampler.

SWAM Trumpet is a trumpet sampler.

SWAM Alto Trombone is an alto trombone sampler.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input.

Camelot is a live performance & production tool connecting Hardware & Software Musical instruments to a single management system.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input (like someone playing on a keyboard).

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input (like someone playing on a keyboard).

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input (like someone playing on a keyboard).