iOS Musician Apps (228) Instrument Type is Synth

Holon is an auditive mixed reality app that generates functional music from your body movements and the world around you - your behaviour. Use it for active commuting - or almost any sport you can think of - Holon adapts seamlessly to your activity and context.

BLEASS Granulizer generates short samples (‘grains’) from different input signals by modulating different parameters which you can visualize thanks to a 3D Visualizer.

NFM is an intuitive FM synthesizer with a streamlined interface.

Each of the 2 oscillators offers a selection of 5 waveforms: sawtooth and pulse waves are here, along with noise, triple saw and triple FM waves. There's also an additional sub-oscillator strapped into the master section for added oomph.

Euclid Goes to Party is a synth with a PWM oscillator and an euclidean sequencer. You can create techno bass lines very easily with its sequencer.

Laplace is a physical-modeling synthesizer based on resonator synthesis that makes it easy to create bowed string, plucked string, blown pipe and metallic sounds.

Lorentz is not only a live-oriented analog modeling synthesizer, but also has a resonator that makes metallic and aggressive sounds.

Mersenne is a melodic percussion synthesizer that combines two FM synthesis modules, a noise generator and a resonator.

Redshrike is a polyphonic synthesizer that combines a resonator designed to make more complicated sound creation and subtraction synthesis with an FM oscillator that creates violent distortion.

Lagrange synthesizer has two oscillators, a noise generator and two filters that can be selected from various algorithmic models.

SWAM Solo Brass is a brass sampler.

SWAM Flugelhorn is a Flugelhorn sampler.

SWAM Bass Trombone is a bass trombone sampler.

SWAM Double Bass Trombone is a bass trombone sampler.

SWAM Trumpet is a trumpet sampler.

SWAM Alto Trombone is an alto trombone sampler.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input.