iOS Musician Apps (177) Supported Technologies is Audio Unit (AU), Type is Instrument

Agonizer is a monophonic synthesizer designed in collaboration with YouTuber and synth bass expert Jakob Haq of haQ attaQ

Additive synthesis is a sound synthesis technique that creates timbre by adding sine waves together. The timbre of musical instruments can be considered to consist of multiple harmonic or inharmonic partials or overtones.

ShockWave is a monophonic Synthesizer designed to bring modular style workflow to the world of iOS & AUv3 plugins.

Roxsyn is a metamorphic guitar synthesizer.

"StepPolyArp Unit" is a real-time polyphonic and polyrhythmic MIDI step arpeggiator and step sequencer. It can be used as a standalone application or an Audio Unit MIDI effect plug-in.

VOLT is a virtual analog synthesizer designed to create classic synth sounds while emphasising expressive play.

Harness the enormous power of 8 polyphonic synths: meet KASPAR Supersynthesizer.

The MKSensation Xtreme is a continuation of our famous MKSensation plugin library. At its core it represents the highest quality and the most accurate sampled representation of the classic MKS-20 piano module.

The VTines instrument is based on real samples of a 1978 Fender Rhodes© Mark1 fully restored with clean pickups and tines, new grommets, new hammer tips, etc, so it is the best an electric piano can sound.

Neo-Soul Keys® Studio 2 is the next evolution in electric piano sounds and effects from Gospel Musicians, which features a complete architecture overhaul using our new Pure Synth® structure and licensed VKFX effects.

AudioLayer is a full featured open standard audio multi-sampler pushing the boundaries beyond what has been available even in the desktop music production worlds.

iMPC Pro fuses innovative song creation with the iconic MPC workflow.

LayR is a polyphonic, multi-timbral synthesizer for iPad and iPhone, delivering up to 256 voices of rich, multi-layered and textured sounds.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input (like someone playing on a keyboard).

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input (like someone playing on a keyboard).