iOS Musician Apps (176) Supported Technologies is Audio Unit (AU), Type is Instrument

Ravenscroft Grand is a piano sampler.

Pure Piano is a professional, multi-sampled concert grand piano with a unique Morph Pad that allows you to explore a multitude of sounds ranging from mellow and intimate tones to surreal, cinematic textures.

Hammond B-3X is a next-level tonewheel organ app.  We’ve partnered with the Hammond Organ Company and Suzuki Musical Instruments to create the most immersive, authentic and powerful B-3 experience for use live on stage or as a plug-in inside recording apps.

The Minimoog Model D App is a mobile transmutation of the world’s first portable synthesizer, the Minimoog Model D®.

Vatanator Pro is an multitrack music sequencer with integrated drum machine, sampler and functionality to load external AUv3 instruments and effects.

The MKSensation Xtreme is a continuation of our famous MKSensation plugin library. At its core it represents the highest quality and the most accurate sampled representation of the classic MKS-20 piano module.

The VTines instrument is based on real samples of a 1978 Fender Rhodes© Mark1 fully restored with clean pickups and tines, new grommets, new hammer tips, etc, so it is the best an electric piano can sound.

Neo-Soul Keys® Studio 2 is the next evolution in electric piano sounds and effects from Gospel Musicians, which features a complete architecture overhaul using our new Pure Synth® structure and licensed VKFX effects.

iMPC Pro fuses innovative song creation with the iconic MPC workflow.

GeoShred is an expressive musical instrument with a multi-touch performance surface, coupled with an advanced physical model of a guitar.

LayR is a polyphonic, multi-timbral synthesizer for iPad and iPhone, delivering up to 256 voices of rich, multi-layered and textured sounds.

Cubasis 2 is a fully featured iOS-based music production system includes sequencer, instruments, effects and more.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input (like someone playing on a keyboard).

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input (like someone playing on a keyboard).

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input (like someone playing on a keyboard).

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input (like someone playing on a keyboard).