iOS Musician Apps (306) Supported Technologies is Audio Unit (AU), Type is Effect

This one is quite experimental and CPU heavy app!

From subtle tube-style saturation to full-on mangled wavetable distortion, Grind is a Swiss Army Knife of sound design.

With AnyAmpIR, I don't give you any amp, I give you the ability to play any amp immediately.

FilterMorph plugin takes the concept of a traditional audio filter and pairs it with overdrive, bit crunching and tape delay to perform some incredibly neat real-time or beat synced automation effects.

Remake is a multi-band effect. The input signal is split into 3 parts. Then resonances are added to the lows (under 100Hz) and at the same time two harmonic voices are added to the mid frequencies only.

Play your favorite songs in their original sound using your iPhone or iPad. It's a whole new experience in learning songs.

A simple but straightforward flange audio effect to give you that nice retro feel.

A simple but straightforward phaser audio effect to give you that nice retro feel.

The EQ560 extends the features of the original hardware and joins the flexibility of the digital world to the character of the analog processing.

PolyIvoks Filter developed on the basis of the filter of the legendary Soviet synthesizer from 1980s, and only now the legendary Soviet analog sound became available in stereo mode.

Comp 609 is a compressor AUv3 plug-in.

The Red Rock Sound Exciter will allow you to improve and enhance sonic quality of signal more naturally than with equalization. Unlike traditional EQ that just turns up the existing harmonics, Exciter generates additional harmonics, therefore there is no boost in the output signal level, this maintains a clear and balanced sound.

The EQ-A based on Classic British EQ from the '70s. With a wide range of tonal variations, the EQ-A is an audio tool with great flexibility and sonic ability.

Does your bass sound dull and lifeless? Red Rock Sound Bass Enhancer will be your choice to correct this deficiency. Bass Enhancer designed for saturation harmonics of low-frequency, it creates the effect of lower, deeper frequencies. This effect can not be created with simple equalization.

In the '80s it was the first to use a different approach to tonal adjustments. In conventional analog equalizers, whether they are shelving, sweepable, graphic or parametric types, various sections of the audio spectra are boosted or attenuated by adding or subtracting bandpasses. In this case, frequency shaping is achieved by summing bandpasses.

Based on Classic American EQ from the late '60s, the EQ550b is a continuation of the EQ that played a major role in the history of music recording, but with an additional filter band and several new frequencies.

The EQ550 faithfully captures the punch, low-frequency transparency, and ultra-tight imaging of iconic American EQs of the late 1960’s.

A highly tweakable stereo delay AudioUnit effect, suitable for everything from clean digital delays to filthy dub echoes, flangers and broken cassette tapes.

High quality real time reverb AudioUnit effect, for everything between small rooms, resonators, and infinitely large spaces.

The EQP-1A based on Classic Program Equalizer from the '60s, original EQ is renowned for its unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf, the EQP-1A faithfully models the overbuilt transformers and complex tube amplifiers of the original hardware.