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Woodpressor is a high-end audio compressor. It is both a standalone app supporting IAA (Inter-App Audio) and an AUv3 audio unit plugin.

The WoodLofier is both a standalone app and AUv3 plugin which combines 4 different sections to make your sound more lofi or to add some creative twist  : filtering (and Sample Rate reduction), a Tape wobble unit, Noise addition and Crushing (clipping, bit reduction and saturation).

SWAM French Horn Bb is a french horn sampler.

SWAM Flugelhorn is a Flugelhorn sampler.

SWAM Double Bass Trombone is a bass trombone sampler.

SWAM Solo Brass is a solo brass sampler.

SWAM Bass Trombone is a bass trombone sampler.

SWAM Trumpet is a trumpet sampler.

TfxReverb is designed for simple and easy operation. When auto size mode is enabled, number of parameters can be controlled by a single dial to adjust size of the reverb sound, which can be synced to tempo.

The BLEASS Alpha Synth is a virtual analog polyphonic stereo synthesizer inspired by classic analog synths and enhanced by the BLEASS’ very own musical and technical approach. 

Musyc is a fun and innovative music application where touch turns into music.

TfxMod is a chorus / flanger effect AudioUnit Extension plugin. It uses delay lines which are inspired by BBD (bucket brigade device).

The ERS 250 reverb audio plugin was originally designed and sold by Harrie Munnik and his Dutch company EmptyRoomSystems.

NFM is an intuitive FM synthesizer with a streamlined interface.

SWAM Solo Brass is a Flugelhorn sampler.

The Wood'nGate is an audio gate which is both a standalone app supporting IAA (Inter-App Audio) and an AUv3 audio unit plugin.

BLEASS Motion FX contains 11 different effects which you can modulate precisely thanks to an intuitive and comprehensive sequencer.

BLEASS Granulizer generates short samples (‘grains’) from different input signals by modulating different parameters which you can visualize thanks to a 3D Visualizer.

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input (like someone playing on a keyboard).

These instruments are NOT sample libraries. Unlike sampling, which uses recordings to replicate the sound of an instrument, physical modeling doesn’t generate a sound as such but creates the conditions for the system to create it according to an external input (like someone playing on a keyboard).